自由爵士之夜：Giovanni Di Domenico/秋山徹次/山本达久

时间：2017.2.10 周五20:30

场地：B10现场 http://www.b10live.cn

地址：深圳市南山区华侨城创意文化园北区C2栋北侧

电话：0755-86337602（15:00-18:00，仅供咨询）

主办方：华侨城创意文化园

演出不设座位，场地两旁有数十张椅子可供休息。

20:00检票入场。

购票信息

票价：预售 60 元；现场 80 元

1/预售

※截止时间：2月10日 00:00

①实体：旧天堂书店（华侨城创意文化园北区A5栋120#）

②淘宝：https://item.taobao.com/item.htm?id=544385382561

2/现场

地点：B10现场

※现场售票19:30开始。

演出者

秋山徹次 - 电吉他 / 改良循环磁带

Giovanni Di Domenico - 钢琴 / 电钢琴

山本达久 - 原声鼓

秋山徹次

秋山徹次，1964年4月13日生于东京，日本20世纪90年代晚期出现的最重要的实验吉他演奏家之一。

他善于利用吉他的特质，通过与自己内心深层的欲望进行对话，创作出兼具原始主义与写实主义元素的音乐，并往往以一种尽可能简练而直接的方式呈现出来。时而细致优雅，时而大胆狂放，从微小到宏大，他自如地控制着音量，试图将自己的身体也转换成一个电子实体。除了吉他，他也演奏电子乐，中提琴和一些自制的乐器。

Giovanni Di Domenico

Giovanni Di Domenico，1977年出生于罗马，钢琴家、表演者、作曲家。
由于他的父亲是被派驻海外的土木工程师，Giovanni Di Domenico在十岁以前都随其父在非洲生活。自小在国外生活的经历对他的成长有着深刻的影响，他能够清晰地回忆起这些声音：宣礼吏在宣礼塔上唱的召祷歌，召集信徒做祷告的呼唤；从当地市场传来的异国乐器的声音；弥漫在雅温得（喀麦隆首都）街道的宗教仪式音乐；从喀麦隆保姆口中听来的当地歌谣……
进入音乐学院后，Giovanni Di Domenico主修爵士钢琴。他在节奏、和声和音调上虽受到非西方传统的影响，但也同样对这些有着敏感的触觉：德彪西的《前奏曲》、贝里奥的《模进》、Borah Bergman在Soul Note厂牌下的作品中展示的ambi-ideation[1]技巧，Cecil Taylor密不透风的疯狂演奏以及Paul Bley那布满伤痕的透明感，当然，还有那些来自地下流行乐最激进的表现……这些都深刻地影响了他的创作。在他身上，有着一种具有时代意义的特质。近年来，他也与众多拥有相同特质的优秀音乐家合作，包括Nate Wooley、Chris Corsano、Arve Henriksen、Jim O’Rourke、坂田明、Alexandra Grimal、秋山徹次、João Lobo和中村延和等。
他建立了自己的唱片品牌Silent Water，致力于创作和发行电子及其他风格多元的音乐。

山本达久

山本达久，一位出色的原声鼓手，1982年10月25日生于日本山口市。他成功结合活力、韵律，复合节奏和压倒性的音量，用精巧的技艺创造出一个变化莫测的境界，让人惊叹。

与山本合作过的音乐家数不胜数，包括大友良英、Jim O'Rourke、松原幸子、RUINS、山本精一（前Boredoms成员）、内桥和久、灰野敬二、坂田明、仓地久美夫、高冈大佑、河端一（Acid Mothers Temple核心人物）、成田宗弘（High Rise成员）、田畑满（Zeni-Geva/Acid Mothers Temple & The Cosmic Inferno成员）、佐藤允彦、高桥悠治、Gianni Gebbia、Ned Rothenberg、Daniele Camalda、Alan Silva等。

大友良英称他为“目前日本最令人热血沸腾的年轻鼓手”。

[1] ambi-ideation：Borah Bergman是一位前卫的爵士钢琴手。他最为人所知的出色能力便是ambi-ideation，即双手均能即兴创作和独立演奏，而不是一般的左手为右手伴奏。人们常能从他的演奏中同时听到两种不同的旋律线。

更多信息

官网：

http://www.japanimprov.com/takiyama/

https://giovannididomenico.com/

https://www.cafeoto.co.uk/artists/tatsuhisa-yamamoto/

视频：

山本达久独奏 @WWW

https://www.youtube.com/watch?v=ajHmkDitxfY

Giovanni Di Domenico独奏 @Inage Candy

http://v.qq.com/page/y/5/9/y0165ojdg59.html

秋山徹次独奏 @Even Space

https://www.youtube.com/watch?v=Boz2kv7ndYQ

秋山徹次 & Giovanni Di Domenico @第五届OCT-LOFT爵士音乐节

https://v.qq.com/x/page/v0169kv62w5.html

山本达久 & Giovanni Di Domenico @Nanahari

https://www.youtube.com/watch?v=0fOc-Br1Yk0

Giovanni Di Domenico & 坂田明 @第四届OCT-LOFT爵士音乐节

https://v.qq.com/x/page/i0139wfh8hj.html

Free Jazz Night: Giovanni Di Domenico / Tetuzi Akiyama / Tatsuhisa Yamamoto

Time: 2017.2.10 Friday 20:30

Venue: B10 Live http://www.b10live.cn

Add: Building C2, North District, OCT-LOFT, Nanshan District, Shenzhen

Tel: 0755 86337602 (15:00-18:00, info only)

Organizer: OCT-LOFT Culture Development Co., Ltd

Admittance starts at 20:00.

Open area with several seats on both sides for resting purpose.

Ticketing

Fare: Presale 60 RMB; At Door 80 RMB

1/Presale

※Presale service available until 00:00 on Feb.10th

①Entity：Old Heaven Books (120#, A5, North District of OCT-LOFT)

②Taobao：https://item.taobao.com/item.htm?id=544385382561

2/Booking

Please send the following information to midori@b10live.cn at least ONE DAY before the concert:

1.Name 2.Phone number 3.Date of the concert 4.Quantity of tickets

Ticket reservation will be closed 15 minutes before the show starts, please pick up your ticket at B10 Live in time.

3/At Door: B10 Live

※Starts at 19:30 on the day.

Artists

Tetuzi Akiyama - Electric Guitar / Modified Tape Loop

Giovanni Di Domenico - Piano / Fender Rhodes

Tatsuhisa Yamamoto - Acoustic Drums

Tetuzi Akiyama

Tetuzi Akiyama, born on April 13, 1964 in Tokyo, is one of the most important experimental guitarists to emerge from the Japanese scene of the late ‘90s.
Akiyama specializes in creating music with elements of both primitivism and realism by connecting his own aspirations, in a minimal and straightforward way, to the special instrumental qualities of the guitar. Sometimes delicately and sometimes boldly, he controls sound volumes ranging from micro to macro, in an attempt to convert the body into an electronic entity. Besides guitar, he also plays electronics, viola, and self-made instruments.

Giovanni Di Domenico

Pianist, performer, composer, was born in Rome on the 20th July 1977.
Following his father’s consecutive assignments as a civil engineer, he actually lived out his first decade in Africa. The condition of expatriate had a strong influence on his education – he clearly remembers the calls of the muezzin, the sound of exotic musical instruments in local markets, the ritualistic expression music took in the streets of Yaoundé, or the songs he heard from his nanny in the Cameroons.

Finally he enrolled in music school and majored in “jazz piano”. His rhythm, harmony and tone are informed by non-western traditions yet equally sensitive to Debussy’s “Préludes”, Luciano Berio’s “Sequenzas”, to the “ambi-ideation”[1] heard in Borah Bergman’s Soul Note recordings, Cecil Taylor’s polissemic density, Paul Bley’s bruised transparency and of course, the most radical manifestations stemming from the underworld of pop music, invariably tied together by his own original praxis. A distinction – one would call it generational – he shares with many of the musicians he has crossed paths with recently, of which we could enumerate Nate Wooley, Chris Corsano, Arve Henriksen, Jim O’Rourke, Akira Sakata, Alexandra Grimal, Tetuzi Akiyama, João Lobo or Toshimaru Nakamura. Di Domenico has founded his own label, Silent Water, home of an eclectic and occasionally unclassifiable production.

Tatsuhisa Yamamoto

Tatsuhisa Yamamoto, born on Oct 25, 1982, in Yamaguchi, Japan, is a pure acoustic drummer. Yamamoto succeeds in combining dynamism, melodicism and polyrhythm, fusing overwhelming volume with delicate technique for a mercurial versatility that is at times awe-inspiring.

Yamamoto has also collaborated with artists such as Otomo Yoshihide, Jim O'Rourke, Sachiko M, RUINS, Seiichi Yamamoto (ex.boredoms), Kazuhisa Uchihashi, Keiji Haino, Akira Sakata, Kumio Kurachi, Daisuke Takaoka, Makoto Kawabata (AcidMotherTemple), Munehiro Narita(HIGHRISE), Mitsuru Tabata(ZENI-GEVA/AMT&TCI), Masahiko Sato, Yuji Takahashi, Gianni Gebbia, Ned Rothenberg, Daniele Camalda, Alan Silva, and many others.

"Tatsuhisa is one of the most exciting young drummers in Japan at the moment." - Otomo Yoshihide

[1] ambi-ideation: Avant garde jazz pianist Borah Bergman was well known for his “ambi-ideation” technique, where he trained his left hand to be as dextrous as his right when playing.

More Information

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