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高円寺百景 Koenji Hyakkei

高円寺百景
Koenji Hyakkei
日本 Japan

时间 Time
2019.05.18 21:40 - 22:40

场地 Venue
华侨城创意文化园北区B10现场 B10 Live, North District of OCT-LOFT

演出者 Artist
吉田达也 Tatsuya Yoshida - 鼓 Drums / 人声 Vocals
坂元健吾 Kengo Sakamoto - 贝斯 Bass / 人声 Vocals
小森庆子 Keiko Komori - 高音萨克斯 Soprano Saxophone
矢吹卓 Taku Yabuki - 键盘 Keyboards
AH - 人声 Vocals
小金丸慧 Kei Koganemaru - 吉他 Guitar / 人声 Vocals

“这么说可能有点冒险,但从我的角度来看,这不仅是所有当代日本乐队中的最出色的,更可能是目前世界上最伟大的乐队。”
——《Alternative Press》杂志

“高円寺百景是吉田达也的独特理念,并可能会成为他的至高成就:一个前卫摇滚、先锋音乐和硬核朋克最完美的融合体。万岁!”
——Pitchfork网站

继2014年携单人计划Ruins Alone献演于第一届明天音乐节、2016年携是巨人(Korekyojinn)参演第六届OCT-LOFT国际爵士音乐节后,吉田达也将再次来到深圳,带领他主导的前卫摇滚乐团高円寺百景登上明天音乐节的舞台!

高円寺百景由吉田达也(Ruins / Ruins Alone)和久保田安纪(乐队的第一任歌手,于去年离世)于1991年创建。在成团早期,他们延续了久保田安纪上一支乐队Malinconia的音乐理念,并力图将久保田歌剧式的演唱和朋克摇滚融合起来。

1994年高円寺百景发行第一张专辑时,乐队的前卫摇滚色彩变得更加浓烈,在不规律的节拍中加入了启示性的合唱,被许多人认为是接近法国乐队Magma的风格。乐队的歌词源自他们自创的语言,并深受包括Magma创造的Kobaïan语、意大利语和德语等在内的欧洲语言的影响。但吉田达也的歌词并不具有实际含义,只着重于其发音。

在高円寺百景2005年专辑《Angherr Shisspa》中,他们将吉他手替换为高音萨克斯手。乐器配置的变化导致了音色的变化,他们的音乐风格也朝着新的方向发展,转向了室内摇滚(Chamber Rock)或RIO(Rock in Opposition,俗称“反摇滚”)风格,并加入了爵士元素。纵观他们风格演变的历程,其节奏与形式的复杂性有了极大的拓展,充斥着复合节奏和非对称节拍,也常包含复调和对位,并有了更多繁复且迥別的段落,展示出一幅幅让人眼花缭乱的、充满幽默与想象力的奇幻图景。

经过了多年的活动休止,高円寺百景终于携新吉他手强势回归,并于去年发行了时隔十三年的全新录音室专辑《Dhorimviskha》,广获好评。

乐队曾参加过世界范围内诸多重要的前卫音乐节,包括2007年的加拿大FIMAV音乐节、 2008年的美国Nearfest音乐节和葡萄牙Gouveia art Rock音乐节,以及2009年的法国Rock In Opposition音乐节等。

"I'm probably going out on a limb here, but from my vantage point, this is not only the most brilliant of all of contemporary Japanese bands, but perhaps the greatest group currently operating in the world.”
- Alternative Press 

"KOENJIHYAKKEI is a unique concept for Tatsuya Yoshida (Ruins), and it may go down as his greatest achievement: the most perfect fusion of straight prog, the avant-garde and hardcore punk. Amen.”
- Pitchfork 

Koenji Hyakkei is a Japanese progressive rock band formed by Yoshida Tatsuya (of the renowned drum and bass duo Ruins) and Kubota Aki (the first singer who passed away last year) in 1991. In the early period of the band activity, they took over the musicality of Kubota's predecessor band Malinconia, and aimed for fusion of Kubota's operatic voice and punk rock.

By the time they released the first album in 1994, the band got progressive rock color stronger, becoming a Magma-like sound as saying to put a threatening chorus on the irregular beat unison. The language of the lyrics is a coined word, which is also greatly influenced by European languages such as Magma's Kobaïan, Italian and German. However, Yoshida's lyrics have no meaning, only emphasis on the sound of words.

On their album Angherr Shisspa in 2005, they have replaced the guitar player to soprano sax. With this change in instrumentation, their style has veered into a new direction to match the change in tone color, shift to Chamber Rock or Rock in Opposition style, also elements of jazz included. Through their evolution of style, their rhythmic and formal complexity have expanded greatly, incorporating polyrhythms, asymmetrical time signatures, as well as more complex and varied sections, often containing polyphony and counterpoint.

In this period band has been played in worldwide prog festivals such as FIMAV (2007), Nearfest (2008), Gouveia Art Rock (2008) and Rock In Opposition (2009). After years of suspension, the band resumed activities with a new guitarist, and in last year finally released the studio album, Dhorimviskha, for the first time in 13 years, and they are highly appreciated in various places.

更多信息 More Information
www.facebook.com/koenjihyakkei

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