地下婴儿乐队“时光倒流”2019巡演 第二阶段 深圳站
时间：2019.11.9 周六 20:30
场地：B10现场 http://www.b10live.cn
地址：深圳市南山区华侨城创意文化园北区C2栋北侧
场地支持：华侨城创意文化园
演出不设座位，场地两旁有数十张椅子可供休息。
20:00检票入场。
票务信息
票价：早鸟 100 元；预售 120 元；现场 150 元
1/预售
※截止时间：11月09日 00:00
※预售票售罄后现场或将不再售票，请尽量提早购买。
①实体：旧天堂书店（华侨城创意文化园北区A5栋120#）
②淘宝：搜索店铺“B10 Live”
③秀动：https://wap.showstart.com/event/93271
2/现场
地点：B10现场
※现场售票19:30开始。
地婴的音乐: 不停地有真正新鲜的东西出现，没有悉心安排的结果，不会是千篇一律的东西， 去探寻更为广阔的而非基本知觉领域的体验。
地下婴儿一直没有远离大众的视线，在去年卯起劲做了47场大型巡演，据说今年又有了新的巡演和新歌的计划。去年乐队一口气做了四十多场的大型巡演，很多人都感到不可思议，在结束了漫长的巡演之后，为什么会在今年上半年又马不停蹄地开始新一轮的巡演？主唱高幸说：“我们需要更多的台上磨合以及获得台下的各种反馈，新歌的现场氛围试演也是促成这次巡演的重要因素。”
提到新歌，高幸的反应是：“兴奋！有些爱不释手，每一首新歌都是。”今年乐队的新歌非常多，有关于友谊、关于自由之名、顿悟的对生命的感知、关于朋克、关于独处、关于新街口，关于足球等等……
说是新歌也不太严谨，因为很多歌曲在早些时期已经写出雏形，但一直没有做最后的编排和录制，今年乐队有了新的感觉，于是决定把这些歌慢慢的呈现出来。
地下婴儿 ”时光倒流“2019巡演
第二阶段
早鸟票 100
预售票 120
现场票 150
今年的巡演和去年相比，个人心态和现场感受的不同？高幸：“去年的心态还有些象是在雾里，今年雾气渐渐散去了。台上的声音和表现力都比起去年来提升了一小部分，现场气氛更活跃一些了，歌也够了，新歌有十几首，初步完成编排的有7首。而且未来还会增加新歌，踏实多了。除了天津演的紧了一点外，之后的每场几乎都在一小时五十分钟。今年的巡演之所以会分成两个阶段来做，也是为了配合新歌来的。每一个阶段会增加新歌，目前巡演每站都演了新歌，第二阶段会继续增加。”
“情怀”是一个给乐队减分的词，既然乐队现在重新出发了，又有了新歌的转变，不免让人好奇乐队对这种改变会不会担心流失掉早期那一拨风格的乐迷。
地下婴儿一直有一个“老牌朋克乐队”这个标签，当问到乐队如何看待和处理这个问题的时候，高幸说：“把“老牌"印在后背上背着，朋克内涵精神早已经融入骨髓，不用挂个大金链子在脖子上。地婴从来不要求被标签化。地下婴儿一直都是那个不安分的因子，他本身就不形式化，就有自己特有的风格， 喜欢地婴的乐迷同学肯定也不是奔着我们的朋克服饰和头型去的，不担心。我们现在的音乐依旧很地婴。”
而对于如何看待“摇滚乐娱乐化”现象的看法，高幸说：“二十多年以前，地下婴儿的初衷是要做与众不同的音乐，能直击心灵的音乐。现在依然是。中国摇滚乐应该是辛勤耕耘、埋头苦干、超凡脱俗、自命不凡、不做违和的，但只要你懂得他爱戴他，他实际上也很平易近人的，傻了吧唧英雄主义的除外。
摇滚乐本身也有一点泛娱乐性。做摇滚乐就是想表达自我思想的， 其次是获得市场的认可。虽然也要成为一类商品，但传播方式、上市之前的包装设计是不能纯工业化的。这不是为了市场而量身定做的商品，是一种让市场为了你的出现而去设计一套玩法的东西。话语权虽然一直都在媒体手里，但是摇滚乐显然更具有独立性。”
在我看来地下婴儿的朋克就是：随性，做自己，冲破界限，突破自己。别再问什么是朋克才是真正的朋克。“以前是摇滚乐推动了时代，现在是时代改变了摇滚乐”，这个夏天啥也不要想，继续喝酒听歌享受摇滚乐吧。
朋克是个永不落伍的话题，
是一株常青藤 一颗不老心。
他具有三种特性 :彻底、尖锐、自我价值认同。
彩色朋克和黑白朋克，
两种精神寻求突破(超越自己)和冲破界限(颠覆)。
朋克的演变过程为冲突，
外核为反叛，
内核为率真和逃避。
Underground Baby 2019 Tour Shenzhen Station
Time: 2019.11.9 Saturday 20:30
Venue: B10 Live http://www.b10live.cn
Add: Building C2, North District, OCT-LOFT, Nanshan District, Shenzhen
Tel: 0755 86337602 (15:00-18:00, info only)
Venue Support: OCT-LOFT Culture Development Co., Ltd
Admittance starts at 20:00.
Open area with several seats on both sides for resting purpose.
TICKETING INFO
Fare: Early-bird 100 RMB；Advance 120 RMB; Walk-in 150 RMB
1/Advance
※Presale service available until 00:00 on Nov. 09
※At Door tickets may not be available if advance tickets were sold out. Please purchase the tickets as early as possible.
①Entity：Old Heaven Books (120#, A5, North District of OCT-LOFT)
②Taobao：Search Store "B10 Live"
③ShowStart：https://wap.showstart.com/event/93271
2/Booking
Please send the following information to midori@b10live.cn at least ONE DAY before the concert:
1.Name 2.Phone number 3.Date of the concert 4.Quantity of tickets
3/Walk-in
Starts at 19:30 on the day at B10 Live.
Underground Baby or Underbaby (地下婴儿 dìxiàyīng'ér) is a Chinese rock band, and was widely recognized as China’s very first punk band.
Though punk had already started by the 1970’s in the US and England, because of the Cultural Revolution it didn’t reach China until the ’90s — March of 1996, to be exact. It was on a chilly night of that month that an unknown trio of kids who called themselves Underground Baby (地下婴儿) shuffled onstage at a small Beijing show commemorating Kurt Cobain’s death, for what everyone thought would be a set of rock covers — and, instead, launched into a thunderous series of loud-fast-rules originals.
At the heart of the band was a pair of brothers, guitarist Gao Wei and drummer Gao Yang, who had spent their teenage years locked in a storage room outside their parents’ duck restaurant, thrashing their own brand of rock music into existence. After the show, a small community began to develop around the boys’ home and practice space on Baihua’r Hutong, which, according to O’Dell’s book, became instrumental in setting up many of Beijing’s first punk rock shows. In 1996, the band released their first song, “All the Same” (都一样) on the compilation China Fire II (VA) (《中国火二》), and were signed by one of China’s first rock labels, the Taiwanese Magicstone Records.
Though the song, a catchy mid-tempo ode to adolescent angst, may sound somewhat tame by today’s standards, it was a revelation in 1996, when China’s nascent rock scene was dominated by technical metal virtuosos like Tang Dynasty and Western rock cover bands. Over the next few years, Underground Baby played a slew of shows, first at anyplace that would have them, mostly bars and KTV’s, then at early clubs like Scream. The shows were small but viscerally energetic affairs that would inspire a small crew of would-be rockers, who went on to form the first generation of punk bands, like 69 and Reflector.
In 1998, the band recorded what was to be their first and only album, “Awake” (《觉醒》), though due to contract disputes between the Beijing and Taiwan branches of Magicstone, both the band and the album were thrust into limbo, until finally the band broke up, with Gao Yang going off to drum in other bands and Gao Wei pursuing solo projects.