Petbrick
临界状态
Liminal
英国 UK
2025.5.17 21:40–22:40
深圳 B10 现场 B10 Live, Shenzhen
演出者 Artists
Wayne Adams – 合成器 Synths / 人声 Vocals
Iggor Cavalera – 鼓 Drums
Petbrick，这个由 Wayne Adams（Big Lad/Death Pedals/Johnny Broke）和 Iggor Cavalera（Sepultura/Soulwax/Mixhell）组成的双人组，已抵达一个奇异的声音疆域——在这里，电子的实验探索、硬核的反叛姿态、反乌托邦式的压迫感与过载的癫狂激烈交锋，形成为对抗加速时代特制的“声波武器”。他们 2019 年发行的首张全长专辑 I 在全新的疯狂维度中展开实验：两位成员过往的音乐经验——Wayne 犹如擅分身之术的忍者，游走于朋克、碎核与鹿特丹超高速硬核（gabba）等多重风格之间；Iggor 则如摇撼星际的巨兽，以其不屈的求索精神深刻影响了金属乐的进化轨迹——既被充分运用，又被坚决打破，最终以决绝姿态摒弃了一切传统分类，只将精神内核锚定于当下时空。
二人的心灵碰撞始于 Big Lad 在 Camden Underworld 的一场演出——Iggor（现常居伦敦）在观看那场演出之后深受震撼，并开始与 Wayne 保持邮件联系。他们经常交换创作素材，又因为对 Eurorack 模块合成器的共同兴趣而进一步加深了连接。最终，Iggor 造访了 Wayne 的Bear Bites Horse 录音室，并在大量咖啡因的催化下诞生了异常丰产的即兴创作，使这个二人项目拥有了自主的生命。“我们想做些不同于以往项目的尝试，”Iggor 说道，“‘制造可怕的噪音’是 Petbrick 最初的理念。”Wayne 则补充：“我们意识到彼此的音乐品味惊人契合，都对一些怪异的电子乐、超乎常规的吉他声效很感兴趣。于我而言，我确实把对电子音乐的探索推向了更极端的方向。”
事实上，Petbrick 很快就构建出一个无界声场。在这里，成员的任何音乐“怪癖”都可以自由生长：无论是 John Carpenter 式的电影配乐风韵、Alessandro Cortini 式的合成器肌理，还是 D-beat 驱动的激烈朋克节奏，亦或是实现 Wayne 长久以来的心愿——将所有合成器和鼓机接入一台 Entombed 风格的 Boss HM-2 失真效果器……正是这一切，使得 Petbrick 的音乐如此迷人。
Petbrick—the duo comprising Wayne Adams (Big Lad/Death Pedals/Johnny Broke) and Iggor Cavalera (Sepultura/Soulwax/Mixhell)—have arrived at an audial destination where electronic experimentation, hardcore attitude, dystopian dread, and in-the-red dementia collide and collude to form a uniquely invigorating assault, custom-fit for this accelerated age. Their debut album released in 2019, I, explores fresh lunacy anew where both members’ past experiences—Wayne in a variety of musical guises ranging from punk to breakcore and gabba, and Iggor in a planet-straddling metal colossus whose questing spirit played a crucial role in the music’s evolution—are profitably employed while left obsolete by a resolutely genre-free onslaught whose spirit remains firmly in the here and now.
This meeting of minds initially took place after Iggor—these days a London resident—was impressed by a Big Lad show at Camden Underworld, subsequently resulting in the two staying in touch via email, swapping files of material they were working on, bonding over Eurorack modular synth gear and eventually Iggor visiting Wayne’s Bear Bites Horse Studio where coffee-fueled initial jams proved so fruitful that the project took on a life of its own. "We wanted to do something different than the other projects we were involved in. Making horrible noise was the first concept behind Petbrick," says Iggor. "I think we realized that we were both pretty much in tune with each other's tastes, both into a lot of weird electronic music as well as some decent far out guitar stuff. For me, I definitely pushed the electronics in a much harsher direction," reckons Wayne.
Indeed, Petbrick soon began to represent a boundary-free soundworld in which either member could explore whatever musical predilection or peccadillo they were possessed by and come out with something compelling, be it John Carpenter-style soundtrack cadences, Alessandro Cortini-esque synth textures. D-beat-driven punk intensity, or—fulfilling a long-time ambition of Wayne’s—the sound created by running all of their synths and drum machines through an Entombed-style Boss HM-2 distortion pedal.
购票 Buy Tickets:
https://www.showstart.com/event/260394
Reservation Service also available: https://jinshuju.net/f/I1jk7D