Sarah Davachi：为咆哮的房间而作的音乐（节选）Music for a Bellowing Room (Excerpt)
加拿大 Canada / 美国 USA
2026.5.22 21:20–22:20 @ B10 Live
演出者 Artist
Sarah Davachi – 电子设备 Live Electronics
Sarah Davachi（1987 年生于加拿大）是一位作曲家兼演奏家。她的创作聚焦于音色与时间、空间的精妙交织，善用长时间的铺陈与非常规调音体系，细腻呈现声音质感、和声层次、音律及心理声学现象的微妙渐变。她的创作见于其个人或室内乐乐团的现场演奏及各种电子原声作品（Acousmatic formats）[1]之中，融合了原声与电子乐器的丰富声响，既汲取了极简主义与长篇结构的养分，又承袭了早期音乐中关于音程关系与情感表达的理念，同时融入录音室环境下的实验性制作手法，最终营造出一种亲密而从容的听觉体验，重塑人们对熟悉感与疏离感的认知。
录音作品广受赞誉之余，Davachi 亦频繁展开巡演。她的作品曾在国际众多重要场馆呈现，包括伦敦南岸中心、巴比肯中心、汉堡易北爱乐音乐厅、纽约现代艺术博物馆、洛杉矶盖蒂博物馆、华特·迪士尼音乐厅、马德里索菲亚王后艺术中心、京都法然院、赫尔辛基岩石教堂、旧金山恩典座堂、罗马圣路易吉·德·弗朗西斯教堂，以及悉尼马车创意空间等。她也曾受洛杉矶爱乐乐团、布鲁塞尔爱乐乐团、伦敦当代乐团、Bozzini 四重奏、爱尔兰室内合唱团、BBC 苏格兰交响乐团等委约创作室内乐作品并演出。
她获得的重要荣誉包括 2026 年威尼斯双年展授予的银狮奖，以及 2023 年美国独立音乐协会颁发的 Libera 大奖。2020 年，她创立了 Late Music——作为 Warp Records 合作厂牌体系下的独立厂牌，它成为了 Davachi 专辑与录音作品的主要发行平台。
Davachi 曾在加拿大国家音乐中心工作十余年，并作为研究员及馆藏乐器诠释者，深入接触其丰富的原声与电子键盘乐器收藏。她拥有米尔斯学院电子音乐硕士学位，以及加州大学洛杉矶分校音乐学博士学位（博士论文研究主题为音色、现象学与批判性乐器学），现居美国加利福尼亚州洛杉矶。
[1] “Acousmatic format”指的是为固定媒体（如磁带、CD 或数字文件）创作并通过扬声器呈现的电子原声音乐，其特点是刻意隐藏声源。它强调“简化聆听”，即听众专注于声音本身的属性和音色，而非声音的来源，并常运用多声道扩散技术将声音在空间中展开。
Sarah Davachi (b. 1987, Canada) is a composer and performer whose work is concerned with the close intricacies of timbral and temporal space, utilizing extended durations and alternate tuning systems to underscore gradual variations in texture, harmonic complexity, intonation, and psychoacoustic phenomena. Her compositions span solo, chamber ensemble, and acousmatic formats[1], incorporating a wide range of both acoustic and electronic instrumentation. Similarly informed by minimalist and longform structures, early music concepts of intervallic relation and affect, as well as experimental production practices of the studio environment, in her sound is an intimate and patient experience that reconfigures perceptions of the familiar and the distant.
Alongside her acclaimed recordings, Davachi has toured and performed extensively; her work has been presented internationally by Southbank Centre (London), Barbican Centre (London), Elbphilharmonie (Hamburg), The Museum of Modern Art (New York), The Getty Museum (Los Angeles), Walt Disney Concert Hall (Los Angeles), Museo Reina Sofía (Madrid), Honen-in Temple (Kyoto), Temppeliaukio Church (Helsinki), Grace Cathedral (San Francisco), Chiesa di San Luigi dei Francesi (Rome), and Carriageworks (Sydney), among others. Her chamber ensemble work has been commissioned and performed by the Los Angeles Philharmonic, the Brussels Philharmonic, the London Contemporary Orchestra, Quatuor Bozzini, Chamber Choir Ireland, and the BBC Scottish Symphony Orchestra, among others.
Major recognitions include the Silver Lion award in 2026, given by La Biennale di Venezia, and a Libera award in 2023, given by the American Association of Independent Music. In 2020 she founded Late Music, an imprint within the partner labels division of Warp Records, which serves as a permanent home for her albums and recordings.
For over a decade, Davachi had the unique opportunity to work for the National Music Centre in Canada as a researcher and interpreter of their collection of acoustic and electronic keyboard instruments. She holds a master's degree in electronic music from Mills College and a doctoral degree in musicology from UCLA (with a dissertation on timbre, phenomenology, and critical organology), and is based in Los Angeles, California, USA.
[1] Acousmatic format refers to electroacoustic music composed for fixed media (such as tape, CD, or digital files) and presented through loudspeakers, intentionally concealing the sound source. It focuses on "reduced listening," where the audience concentrates on sonic properties and timbre rather than the cause of the sound, often using multichannel diffusion to spatialize audio.
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