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Nate Wooley & Ryan Sawyer: 利齿毕现 Baring Teeth

  • B10现场 B10 Live Building C2, North District of OCT-LOFT Shenzhen Shi, Guangdong Sheng, 518000 China (map)
 

Nate Wooley & Ryan Sawyer: 利齿毕现 Baring Teeth

美国 United States

2026.10.24 20:20–21:20 @ B10 Live

演出者 Artist

Nate Wooley – 小号 Trumpet / 放大器 Amplifier
Ryan Sawyer – 鼓 Drums / 人声 Voice

 

Nate Wooley 与 Ryan Sawyer 的二重奏诞生于布鲁克林 Union Pool 的一场演出,当时他们即以“Baring Teeth”为名。始于噪音墙式的狂啸,两人的合作在随后的二十年间不断深入,并逐渐拓展了二重奏的语汇。如今,两位乐手在爵士、摇滚、朋克、噪音与氛围音乐的传统之间自如穿行,游弋于狂野与优雅的边界。

Nate Wooley 是一位即兴音乐家、作曲家和作家。作为器乐演奏者,他曾与 Annea Lockwood、Éliane Radigue 和 Anthony Braxton 等作曲家有过合作。他的小号即兴独奏被形容为“精致的敌意”和“史上最前卫的篝火音乐”。他的作品是即兴、民谣、文本与沉浸式体验的不断演进的混合体。

Ryan Sawyer 是一位打击乐手、作曲家、学者和视觉艺术家。2024 年,他曾作为 Zoh Amba 太阳乐团的鼓手参演第十一届 OCT-LOFT 国际爵士音乐节。多年来浸淫于地下音乐和爵士场景之中,他曾与众多高水平音乐家有过合作,包括 Marshall Allen、Boredoms、Thurston Moore、TV On The Radio、Charles Gayle 和 Rhys Chatham 等。多年累积的经验让他在表演与编排上不断精进,并使他的鼓声拥有极为丰富的层次、动态和情绪。他即兴与作曲的方式也自成一派,其中包括以鼓和人声自由引导作品走向。

The duo of Nate Wooley and Ryan Sawyer got its start under the name “Baring Teeth” at Brooklyn. Originally a wall of screaming noise, the duo expanded its language over two decades. The two musicians now veer through the history of jazz, rock, punk, noise, and ambient styles, always dancing on the thin line between being feral and elegant.

Nate Wooley is an improvisor, composer, and writer. As an instrumentalist, he has been a soloist with composers such as Annea Lockwood, Éliane Radigue and Anthony Braxton. His solo trumpet improvisations have been hailed as “exquisitely hostile” and “the most progressive campfire music ever.” His compositions are evolving amalgams of improvisation, folk music, text, and immersive experiences.

Ryan Sawyer is a musician (percussion), composer, academic, and visual artist. In 2024, he performed as the drummer of Zoh Amba's Sun Ensemble at the 11th OCT-LOFT Jazz Festival. After years of peerage in underground and jazz scenes, he has played alongside Marshall Allen, Boredoms, Thurston Moore, TV On The Radio, Charles Gayle, Rhys Chatham among countless others. Playing with enormously high-grade collaborators has informed his performance and arrangements, helping to shape the output of him into a rare channel of vast textures, dynamics and moods formed from drumkit alone. One of his unique approaches to improvisation and composition includes free-form shepherding of sound through drums and voice.

 

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