KRAUTWERK
德国 Germany
时间 Time
2018.5.17 21:20 - 22:35
场地 Venue
华侨城创意文化园北区B10现场 B10 Live, North District of OCT-LOFT
演出者 Artists
Harald Grosskopf - 电子鼓 E-Drums / 键盘 Keyboards / 现场电脑混音 Live Computer Music Edit
Eberhard Kranemann - 合成器 Synthesizers / 电子小提琴 Electric Violin / 夏威夷吉他 Hawaii Guitar / 声音编辑 Sound Edit
KRAUTWERK，是德意志效率，是独创的、激荡人心的、触发意识融合和打破人机壁垒的艺术，是关于自由无垠的声音色彩和反叛思维的哲学。史上第一次，两位Krautrock界元老——Harald Grosskopf（Synthesist / Ashra / Klaus Schulze）和Eberhard Kranemann（Neu! / Fritz Müller / Pissoff），向世界发射他们关于今天、明天与无限未来的，宇宙洪荒般的声音视界。
Harald和Eberhard在2016年的一个音乐节上初次相识便一拍即合，不久就发行了专辑《KRAUTWERK》，由位于德国汉堡的厂牌Bureau B制作和发行。他们决定将杜塞尔多夫和柏林两派不同的电子乐进行融合，从而产生出充满能量的当代新声。
Harald Grosskopf
Harald Grosskopf是电子乐界首位与先锋人物Klaus Schulze合作、为其电子旋律和bassline辅以鼓点的鼓手/打击乐手。早在七十年代末，他就在公寓里用一台Minimoog完成了《Synthesist》的录制。它被认为是当时德国Krautrock风格中最具先锋性的合成器音乐作品，听者宛如穿梭于波涛起伏的奇幻音景，经历了一场令人心醉神迷的旅程。
Harald曾参与众多传奇的德国电子Krautrock组合。在70年代早期，他曾作为德国艺术摇滚乐队Wallenstein的鼓手而为人所知；同一时期，他也与多个知名乐队和艺术家合作，包括Tangerine Dream、Klaus Schulze，以及Manuel Göttsching的Ash Ra Tempel和后来的Ashra；他参与了Klaus Schulze早期的一些专辑的录制，Ashra的更多达13张。近期，他以个人身份活跃在Liverpool International Festival of Psychedelia以及伦敦知名音乐场地Café Oto和伦敦科幻电影节Hackstock单元的舞台上。
Eberhard Kranemann
Eberhard Kranemann是一位视听艺术领域中的革新者。他是Neu!和Pissoff的创立者之一，也以艺名Fritz Müller进行着个人的音乐项目。他曾在多特蒙特音乐学院和杜塞尔多夫艺术学院分别研习音乐和艺术。
在他的整个职业生涯里，Kranemann始终在追索：那些以脱离经验的、超自然的方式感知与表达的新世界，是如何诞生的？通过在多媒体作品中进行无数激进的实验，他不断挑战着艺术、声音与表演之间的传统界限。Kranemann在世界范围内进行了大量的展览和演出，通过抽象、实验、混合和表演等各种手段，让独特而新奇的电声、意象与事件相互碰撞。
包括与Joseph Beuys的合作在内，与不同的艺术家之间的合作也成为了他的一个重要的实验平台，源源不断地为这些挑战听众既有观念的实验性作品提供能量。
KRAUTWERK – German efficiency, original, sensational and mind-melting man-machine transcending art, the philosophy of unbounded sonic colours and resistance thinking. For the first time ever, Harald Grosskopf (Synthesist, Ashra, Klaus Schulze) and Eberhard Kranemann (Neu!, Fritz Müller, Pissoff) transmit their cosmic sonic visions of today, tomorrow and beyond.
Harald and Eberhard met the first time in 2016 on a festival and started their successful cooperation culminated on their album “KRAUTWERK”, edited by the Bureau B label in Hamburg, Germany. They decided to merge the different sounds of Düsseldorf and Berlin school of electronic music together, resulting in energetic, contemporary new sounds.
Harald Grosskopf
Harald Grosskopf was the first drummer and percussionist in the world of electronic music who accompanied electronically-generated melody and bassline on drums with electronic music pioneer Klaus Schulze. In the late 70s he took to an apartment with his Minimoog and recorded one of the pioneering synth scores to be tagged kosmische, “Synthesist”, a mind bending journey through undulating rhythmic trippy sonic-scapes, way before Underworld’s slippy 90s synth-scrapers.
Grosskopf has lined up in many legendary German electronic krautrock formations. Making his name when playing drums for the German art-rock band Wallenstein in the early 70s. During that same period he met Tangerine Dream, Klaus Schulze and Manuel Göttsching’s Ash Ra Tempel, later Ashra. Harald can be heard on some of early Klaus Schulze albums. With Ashra he performed on thirteen albums. His recent solo performances includes Liverpool International Festival of Psychedelia, Café Oto and Hackstock (SCI-FI London).
Eberhard Kranemann
Eberhard Kranemann is an innovator in audio-visual art. He cofounded the electronic bands Neu! and Pissoff, and assumed the pseudonym Fritz Müller as his own project. He studied music at the Dormund Conservatory and art at the Kunstakademie Düsseldorf.
Throughout his career, Kranemann pursues the origination of new worlds perceived and expressed through the unfamiliar and preternatural. He challenges the conventional boundaries between art, sound and performance, originating many radical experiments in multimedia works. Kranemann has exhibited and performed extensively across the world, where a unique and novel form of electronic sound, imagery and event are negotiated through abstraction, experimentation, hybridization and performance.
Having previously worked with Joseph Beuys, collaborative practice continues to become an important test-bed for the origination of experimental work that both affects and challenges you.